Paganism in the Renaissance

Melvyn Bragg and guests discuss paganism in the Renaissance. For hundreds of years in the Middle Ages, the only way to read Ovid was through the prism of a Christian moralising text. Ovid’s sensual tales of metamorphosis and pagan gods were presented as veiled allegories, and the famous story of Zeus descending to Danae in a shower of gold was explained as the soul receiving divine illumination. But in 1478 Botticelli finished Primavera, the first major project on a mythological theme for a thousand years, and by 1554 Titian completed a very different version of Danae - commissioned by a Cardinal, no less - where she expectantly awaits her union with Zeus in what is a nakedly sexual pose. What happened to bring the myths and eroticism of antiquity back into the culture of Europe? And how was it possible for a Church that was prosecuting for heresy, to exalt in pagan imagery, even in the Vatican itself?

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Guests

• Tom Healy 6 episodes
  Professor of Renaissance Studies, Birkbeck College, University of London
• Charles Hope No other episodes
  Director of the Warburg Institute and Professor of the History of the Classical Tradition, University of London
• Evelyn Welch 6 episodes
  Professor of Renaissance Studies at Queen Mary, University of London

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Hello (First sentence from this episode)

Hello. For hundreds of years in the Middle Ages, the only way to read Ovid was through the prism of a Christian moralising text.